Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Monday, 12 November 2012

Q&A w/ Kenyan Born Somali Poet Warsan Shire


“I have my mother’s mouth and my father’s eyes; on my face they are still together” - Warsan Shire  
Warsan is a Kenyan born Somali poet based in London. She’s also one of my favourite poets alive and she’s only 23. ‘Teaching My Mother How To Give Birth’ is the name of her first collection of poems.

Q1. Warsan, what’s more beautiful, midnight or midday?

midnight because it is quiet and all black is beautiful.

 Q2. The poet is often perceived as a tormented character, a lot of your poetry explores trauma. When you write are you in a certain mood?

probably crying, but not because i'm tormented or traumatised, but because something finally fell into place. 

Q3. You’ve started working with script writing, how does a poet work on scripts?

I thought film was poetry?

Q4. True, ok, if a love poet, a political poet and a preacher sat in a room together what would they talk about?

loss (my first answer was brittany murphys death, i don't know about everyone else, but personally i still have so many questions.) 

Q5. You’re reading a set of poems at Keats House on Sunday November 18th. What do you think makes a good poetry reading?

Intimacy, safety, relief between poems in the form of inappropriate humour. 

Q6.  So there’s this genre of poetry called ‘Spoken Word Poetry’ which has become quite popular… What’s your take on ‘Spoken Word’ as a form of poetry?

when it's done well, it's so good, so beautiful, that i die a little bit.  when it's bad, i just want to die. but that is true of most things, a bad cup of tea is tragic. a good cup of tea is a small heaven. 

Q7. I was teaching a year 10 class at school last week and I asked the class what they know about poets and a girl blurted the word “poverty!” across the room. What can up and coming poets aspire to apart from poverty?

Well, she had a point, you do aspire to be poor, but also, to be so deeply fulfilled that sometimes, you just sit with your face in your hands, in awe of it all. 

Q8. Finally Warsan, did you tell your mother she has a beautiful daughter?

She said you should come over for Somali tea, Ray.

Teaching My Mother How To Give Birth
DON'T MISS Warsan giving a reading of her poems at the Keats House Open Mic event on Sunday November 18th, 2pm - 4pm. (FREE)


Keats Grove, 
Hampstead, 
London, Greater London 
NW3


Follow Warsan Shire on Twitter - @warsan_shire
Keep updated on her blog 

Thursday, 8 November 2012

Q&A With World & National Slam Champion Harry Baker

Harry Baker is odd… he’s a poet even through he was born in the 90’s. Actually he’s more than that, he’s the UK, European and World Slam champion and he’s doing a set at Chill Pill on 29th November at The Albany

When on tour in Germany almost everybody knew Harry Baker, he’s referred to as “the perfect Slam Poet” and I don’t think anyone can disagree. I caught up with him to interrogate this young poetry star. 

Q1. Even though I’ve seen you wear orange tights you’re a pretty cool dude…. how can people adopt the swagger of a young poet? 

Thanks - my edinburgh show this year involved the tights, some tartan trousers and a dressing gown amongst other things... I think if you're trying to be a cool poet you're doing it wrong. I generally go for the shy awkward teenager vibes… it takes years of practice.

Q2. When you and Keith Jarrett (former UK Slam Champion) went back to back at Chill Pill, that was magic and I remember watching that thinking “that’s how you know they’re both Slam Champions… what makes a good Slam Poet? 

 That was a good night - I'm looking forward to the next one! I used to think you made a good slam poet f your poems happened to be around 3 minutes long, but as I've seen more of it there are common themes. Partly you've gotta have something to say. Once you get to a certain level as a spoken word artist/poet/whateveryouwannacallit you can make anything sound nice but with slam here's a definite message behind it, you've only got to look at all the big political American slam poetry to see that. For me it's more about being aware of your audience. Make them laugh, or cry, or shiver, or wet themselves.. Slam works because they have a say, if you've just spent 3 minutes listing everyone you have had or want to have sex with etc (I've seen some weird ones) then quite right they can give you 3 out of 10.
Harry Baker is not rubbish
Q3. You’re like 19 man…. Wtf?

20 now! I love that I've got into it this young. Managed to do a gap year of open mics and saying yes to every gig, i did 12 festivals over the summer and 2 shows a day at the fringe, and I'm currently doing 17 gigs this November (all building up to the fabulous chill pill) so Its not like Im inexperienced, but i guess it means I'm funding it from a student loan rather than arts council grants.. and I'm still doing it because i love it. 

Q4. If your poetry was a wrestler what would it’s special move be?

Beach elbow. (Ray wishes Harry said "The Proper Pop -Up, Purple, Paper People's Elbow)

Q5. Edinburgh Festival had its first official Spoken Word programming; you were at Edinburgh and had great success, you working on a show? 

 I've done two shows in the last two years, both went fantastically, you hear all sorts of horror stories about having audiences of 2 people and losing loads of money but everything fell in place nicely. I think I'm going to have a year off next year - make the most of the 'world champion' title and go back to the states where they care about such things, then by 2014 I'll have potentially had a year in Germany and have something new to say. 

Q6. Wtf! I just tried to tweet you! Did you UNFOLLOW me on twitter? 

Gosh. yes, it was either too profound for my tiny head to comprehend or things that you tweet like this - “That moment in the barbers when you have an itch on your head & the barber runs over the spot with the razor #Bliss” 

Q7. It's true! I thought that was kinda profound... anyway, you’re studying medicine.. or was it maths? either way you’re a bit of a brainiac and you’re being a poet. Don’t your parents think you’re wasting yourself? 

Maths and German. I was going to study medicine but got into poetry so the obvious choice was to switch to math’s. I think my parents were relieved because if you're good at science at school they try force it on you but it wasn't for me. There's 4 people for every place doing medicine so someone far better would've taken my place, but if i don't write poems about dinosaurs and dessert, who will? My parents are incredible. I remember first seeing poets do incredible pieces about how their dad's weren't there for them and thinking my life was too boring to write about in comparison so stuck with prime numbers and bees for a while. But they're fully supportive and have got into it, My dad even quotes kate tempest in the foreward to his latest book! 

Q8. Finally Harry, if it breaks will Jim fix it? 

ummm no? Obama might.

Follow Harry Baker on twitter - @harrybakerpoet
website - www.harrybaker.co.uk

Again, come see Harry alongside Lyric L & The Albany Poets at Chill Pill on 29th November!
We tend to sell out so book advance tickets herehttp://www.thealbany.org.uk/event_detail/846/Spoken-Word/Chill-Pill

Wednesday, 17 October 2012

Q&A With George The Poet

Throughout 2010 I interviewed poets based between the US, Germany and the UK on thoughts of themselves as poets, public figures and social commentators. I've decided to launch a new series beginning with 21 year old George The Poet.

If you haven't heard of George, you will very soon. When he had a poem broadcasted on BBC One just before Eastenders people started talking. He’s performed at Chill Pill and was recently praised by Grime Emcee ‘Wretch 32’ and Hip-Hop legend ‘Nas’. He is now collaborating with the likes of Tinie Tempah and Professor Green. The Poet is crossing over in ways no poet in our generation has before.
George The Poet at Chill Pill in June
Q1. In today's society, what is the difference in role of the poet and the rapper? - If there is one?

I think rappers are primarily expected to make money for the industry and provide party soundtracks, but obviously there are exceptions and grey areas. The poet’s “role” is usually to provide thoughtful social commentary. I’m not saying these roles are either good or bad and I’m not saying everyone conforms, but these are people’s expectations. Rappers are considered “cooler” than poets – people like the carefree attitude and the slickness of it all. Poets are considered more niche – not for the mainstream and not as concerned with entertainment as with enlightenment. This makes poets seem boring, but at the same token, makes rappers seem dumb. I don’t like to compartmentalise these things but by and large I feel rappers and poets create these stereotypes for themselves. There doesn’t have to be a difference between the two. A poet can be edgy and a rapper can be insightful.

Q2. What can you tell us about Hotel Cabana other than it features Emeli Sande, Tine Tempah, Professor Green and Gabrielle? 

            First rule of Hotel Cabana is: you do not talk about Hotel Cabana.

Q3. You warmed up for Nas! that must have been amazing?

     Opening for Nas was a complete honour, I tried to tell him how much it meant to me but I think I just scared him a bit. His work is one of the aforementioned grey areas of rap; it’s introspective, thoughtful and outside most rappers’ comfort zones. He is someone who sowed the seeds of my current ideas about community and social responsibility, sick guy.

Q4. The idea of being a poet is unusual to most people but with the increased exposure to Hip-Hop and Stand Up influenced Spoken Word it seems to be becoming "the cool thing to do". Do you feel you are destigmatizing poetry by having the word "poet" in your stage name?

        Come to think of it, yes. Wretch 32 told me that most people won’t even click on my video because of the word “poet”, and he only did it because the poem was called #YOLO lol (lesson in marketing). But I’m cool with that cos my work speaks for itself; once people listen to it, they tend to share it. So I don’t get exposure as this different-kinda-rapper guy – I’m unequivocally novel. That’s a Unique Selling Point, a social statement and a way of bridging communities/cultures/audiences – all good for poetry.

Q5. What can a poet do that music can't and visa versa?

           Poetry can make things clear. No one gave a monkey’s when I used to rap but the minute I turned the music off and delivered the exact same words acapella (literally) people paid attention. Music, however, has so much power because it transcends everything – age, time, language, context, everything. I’ve been listening to the opera “Vide Cor Meum” and I have absolutely no idea what it’s about but I just leave it on repeat for hours because it hits the spot. Once you put words to beautiful music, you’ve got people’s hearts, which is the best and worst thing about it.

Drop Out TV will be launching a new Spoken Word series soon.. watch out for it!

Follow George The Poet on Twitter @GeorgeThePoet

Saturday, 29 October 2011

Breaking Silence by Jacob Sam La Rose & Strange Light by Derrick Brown



This is Jacob Sam La Rose's first full collection believe it or not but it's worth the wait as its published by the leading publisher of poetry, 'Blood Axe'. Jacob is a key figure in the UK poetry world as a performer and writer. I caught up with him for a chat about his thoughts on Slam Poetry and why there is a divide between poetry on the page and poetry on the stage.

Listen Here



This is the forth collection of poetry from US poet Derrick Brown. Derrick Brown is an ex-weatherman, failed magician and paratrooper turned poet. He runs his own publishing house (Write Bloody) and is a key figure in bringing some of the biggest names in performance poetry (such as Buddy Wakefield, Anis Mojgani, Andrea Gibson etc) to the page. I caught up with him in Boardway Market, Hackney for a Boar Burger and a chat about travelling, performing and getting older.

Listen Here

These interviews are episodes from 'The Punch & Gumption Podcast', run by myself and William Stopha.

Subscribe to hear more from UK poets such as Polarbear, Hollie Mcnish, Inua Ellams, US poets such as Emily Rose, Robb Q Telfer and German poets such as Sebastian 23 & Lars Rupple etc.

Here's a video of Derrick at last months Keats House Forum run by myself and Simon Mole.

Saturday, 15 January 2011

My Hero Orson Welles

Orson Welles is one of my heroes for many reasons... He just seemed like a man you could go to about anything...

"Hey Orson, I'm writing something... help me out... hey Orson, my girlfriend left me.. cheer me up.. hey Orson ...tell me a story that'll make me cry then another one to make me laugh... hey Orson, I'm looking for my voice... help me find it"


Although he had such a strong and powerful presence on screen which even came through on his radio recordings, I sense this mysterious, troublesome vulnerability about him...

He was a man with a classic and romantic mind who wanted to live in the past even through he was 100 years ahead of his time... He was an extremely progressive thinker... directing Shakespeare plays and casting all black actors in the 40's.. He wrote screenplays, radio plays and made films that exposed mediocrity. He was shunned by Hollywood, slated by jealous and conservative critics... but kept on working despite his genius being overlooked during most of his life... his parents died when he was young... he became a wanderer... a boy who loved travelling, magic and painting... He then discovered the theatre, film and radio.

"I want to use the motion picture camera as an instrument of poetry"

I'm currently reading his biography and he talks about being separate from his art. Even in this interview he's adamant about the concept of "rosebud" being what he least liked about his film 'Citizen Kane' yet, as a human being he admits longing for one place to call home.

Art is a mirror of the artist even if the artist (or anyone) tries to smash it.

Anyway, this is a brilliant interview with the man himself... although rather ballooned... Welles is sharp, poetic and honest (even about the things he can't do).