PiP Poets In New York pt 3

Me and Maria got to the bar that supposedly put on poetry events, it was a dark Brooklyn night and no one knew what we were talking about when we said “we’re here for the poetry” in fact, the bouncer outside looked at us like we offended him, “POETRY!? nah man!” he scoffed. We decided to go in and have a drink anyway. We got a lot of curious looks from the people in the bar, we certainly stuck out, my bronzy mustard skin and Maria’s Pilipino features were carried loudly among the dominant black crowd. Most women had angels, flowers and names like “Daze-E” or “Shawty” tattooed on their arms or chest. They also had weave in their hair, wide gold looped earrings and bellies that hung down too much to be a pregnancy, we could have been in Seven Sisters or Wood Green back in London. It was someone’s birthday, me and Maria sat at the bar as a cake came out and everyone sang Stevie Wonder’s funky ‘Happy Birthday’ genius, the vibe was contagious and even me and Maria stood up, clapped our hands and sang Happy Birthday to the strangers at the table, we got a few head nods and took our seats with the complete feeling of acceptance.

“Wow New York, your poetry is as big as your buildings”

The crowd whooped and clapped, I had just been called to the stage, I was on Marcus Garvey Boulevard. The venue had a chess chequered floor and dimmed lights generating intimacy. The audience seating was scatted but filled to capacity (about 60-75) I was dazzled by the poets that got up before me and changed my mind about which poem to perform four times, throughout this trip Joshua tells me my best two poems are “my dad poem and my ‘hit me’ poem” but the ‘Hit Me’ poem seemed too delicate considering I’ve been asked to “never perform that poem in public again” so I played it safe with my dad poem (Not For The Dead) and it went down alright, Josh gets up and kills it as usual.

Afterwards, a poet called “Jon Sands” is announced, he walks onto the stage with the cheeky smirk of a precious infant with secret knowledge, the crowd transfixed before his jaw even flinched, a smooth and genius crowd engaging technique… “DAD HAS A PENIS TOO!” he yells “HIS PENIS IS MUCH LARGER THAN MY PENIS, HIS BODY IS LARGER THAN MY BODY, HIS PENIS WOULD LOOK RIDICLIOUS ON MY BODY!” the audience laughed and cringed at the same time as Josh poked my ribs, and muttered “and you were scared of doing your piece” I laughed and shook my head, in fact I probably continued these motions through Jon Sand’s entire set, I was witnessing one of the best all round performers/ writers I’d ever seen, the guy was electric and gave a performance that managed to stay with me. He had balls, passion and his poetry was sharp and filled with the sly kick of sudden heart attacks.

A poet called Chris Slaughter got up and did a terrifying poem called ‘Blood Line’ about two guys in a street fight – “every time (a fist or a kick) landed the crowd howled as if they were looking at two moons” woah! I must also give an honorable mention to a poet who had me spell bound with a story about the future self when your present self is plunged to despair and how the future self that got through your present hardship comes to you to comfort you through the process of pain, and how you’d feel in that moment, to have that connection as if you were your own God” … ugh, I cannot do it justice, just trust me, it was amazing… unfortunately I can’t remember his name.


My initial expectation of New York or even American Spoken Word performances was that they were going to be great performers with weaker writing, I was wrong, very wrong, New York’s Spoken Word artist carry a standard alien to the UK. Poetry in general holds greater appreciation, which is shameful considering the UK produced Shakespeare, Keats, Blake, Wilde, Byron and even Chaucer.

Spoken Word artists make it onto daytime and prime time TV (HBO, Comedy Central etc) as well as having Def Poetry Jam to aspire to as well as the National Slams, poetry is referenced on the walls of most subway stations, the pavements leading towards NY State Library have poems and quotations by Emily Dickinson among others graven into them on bronze plates, there is a strong community of poets and many weekly poetry and performance workshops are held, Spoken Word/poetry is the hustle of many, all the poets in the higher ranks sell merchandise rather well at their shows, venues such as the NYrican poets café and The Bowery are huge theatre venues dedicated to Spoken Word poetry.

I spoke to poet legend ‘Tshaka Campbell’ about this and he helped me put it into perspective “the poetry in NY is different and intense, the UK for the most part is still only interested in the entertainment side of poetry and there is much much more” I agreed.

Something I found interesting was not only was there similarities between the areas of London and New York, there was also similar characters, I went to a poetry venue which resembled The Poetry Café in Covent Garden, just bigger, I noted how professional the lighting was, a small, slightly elevated stage with a mic in a spot light is simple but very effective, it was called the ‘Cornelia Street Café’

This venue was indeed just like Tuesday night at London’s Poetry Café’, I think there was a London equivalent of every poet that got up and read, I mean in terms of form, style, voice etc it was quite surprising, I think I’ll sway from judgments and name dropping but if you haven’t been to the Poetry Café’ in Covent Garden you typically listen to about 40 poets with 5 minutes each and an average 35 of them will think their audience is either a shrink with a caring ear or a lump of meaningless matter that doesn’t matter more than their delightful poetry.

Anyway, Joshua had his video recorder out and captured possibly the most contrived, pretentious performance poetry I’ve ever seen in my life! I refer to this poet as “the awful one”. I will get him to upload that video as my description will not do it justice. There was a poet who was up before “the awful one” who was telling an amusing story about a car crash that changed his life and almost crippled him and his father.

“as our lungs shrieked and impact threw me and my father through the window screen, we lay bloodily…”

A bell rang and the female host walked to the stage and said “I’m sorry we have to move on” it was so abrupt; the poor guy was approaching a climax in a painful story of his life. He smiled awkwardly, “ok thank you” he said and hobbled off stage probably in the same manner he hobbled from the car crash… bless him.

I got good feedback from a few audience members after the show, I tell you, I can’t stress that enough, if you go to a poetry night and you like a poet, please tell them, "most poets die without compliments." - Niall O'Sullivan.

PiP Poets In New York pt 2

When you go aboard to a place you’ve never been you tend to walk around it with the naivety of new couples that have not yet met the sinister bones of their partners. On a particular Sunday night Josh and me had our honeymoon bubble popped when we were knifed by the realization that we are more vulnerable as outsiders.

Josh had read about a club in ‘NYC Time Out’ and suggested we check it out; it was a few blocks away from where we stayed so we walked there. When we got to the club they tried to charge us more than the club was advertised for, we showed we were wise and they folded, letting us in for the correct price. We strolled in, walking through the dance floor to stand next to the bar; this was to be the only space we’d occupy for the night.

A tall black guy with muscles as tight as his pouting lips danced in front of us like dust in a whirlwind, he was gay, no straight man points his toes, flicks his wrist and vibrates his hips like Beyonce’ on a power plate. His moves were slick, combining Salsa and Body Popping Street dance with progressive Drum and Bass/house music. The kind of sound you’d hear in Herbal in Shoreditch, just instead of fitness fanatic, toned bellied dancers you find teenage dirt bags in their late twenties zoning out on drug-fuelled cocktails. Josh turned to me and said he preferred watching druggies dance to this kind of music, I laughed.

As the place gathered we then noticed everyone there was some kind of street dancer, lots of annoying dance moves that involve elbows and not drumbeats were flying around the room, busy as epileptic fits. We wanted to dance, but we couldn’t share the floor, not just because we wanted to two-step but because these guys were floor hogs, if we stepped two meters forward we’d been in ‘elbow to face’ impact zone, then we would have had to sport sunglasses like the clowns in the Hip-Hop, R&B night clubs.

So we shifted, I was hungry and Josh was tired, the plan – get money out the ATM, find good pizza, go home.


Josh finds an ATM outside a deli, the card, clamped in his hand moved in slow motion towards the slot when we heard a man shout “STOP!” everything in the world froze, even our hearts. “BEFORE YOU DO THAT! I AM NOT GOING TO ROB YOU!” a black guy, about 5’9 and wearing a bomber jacket that made him look like a turtle in a hard-shell stood before us, holding out a piece of paper “I HAVE JUST COME OUT THE STATE PENETENTARY, THE BUS DROPPED ME OFF AND I NEED TO GET OUT OF HERE” our eyes were wide, any tiredness we may have felt vanished as we anticipated any sudden movement “ALL I NEED IS $2.75 TO GET OUTTA HERE! ARE YOU GOING TO HELP ME!?” … silence, the heavy hands of time fought against us, Josh moved the marbles of his eyes without blinking, they swung back and forth like a restless lunatic. We were straight jacketed in 10 seconds of awkward silence, procrastinating… “errrrrrrrrrrr…. Errrrrrrrrr…. Errrrrrrr…. Nooooo …” now I half expected the worse “muthafucka!” he mumbled to himself and quickly walked off, fading into night.

Josh and me looked at each other, relieved. Josh then realized his arm was still extended with his credit card still frozen in his hand. It never made it to the slot of the machine. Josh said “ok. Won’t be getting out any money, you can buy my pizza” and put the card in his pocket, it took me about thirty seconds to laugh at his cheeky comment.

We then saw a pizza place across the street, we jay walked across it and I noticed five hooded up black guys walk in just before us. We took one look at the flat and plastic appearance of the pizza and walked back out, but as we did one of the guys says “what’s good black!?” to Josh, he ignores them “HEY!” he shouts and then we hear another voice this time aimed at me “HEY WHITE BOY, WHITE BOY, COME HERE MAN!” we power walked out the shop and up the road before Joshua says “ohh’ kaay .. This is getting a bit strange.. lets go home!” we found a Pizza joint by a busier road that we were familiar with, we sat hidden at the back, nibbling our pizza in nervous silence like mice under thin floorboards.


On another night Josh and me separated, I went to Brooklyn with Maria, the lovely lady who we stayed with for the first few days. She told us about a poetry night uptown and we went. During that journey we ignited conversation, the type of talks you can only have with a handful of people. It was mainly about love and loss until we got into politics. I should know to sway from any political conversation from any American citizen; it nearly got my head served when I was in Ohio three years ago when I referred to George Bush as “the worlds biggest terrorist”. Maria and me were sitting on the train when 9/11 came up in our conversation. I shared my views about it being a dirty inside job…Maria was appalled, I defended myself until she explained she was there on that day. “No one person could do that, I saw it, you weren’t there, trust me no one would do that to their own country” “Hitler did” I said hastily “but I guess that’s another story”, she got upset with me again, I thought fast, quickly springing our friendship to the rescue … “well I love OBAMA!” a smile then swam to the surface of her face and we shared our favorite Obama facts.

To Be Continued ...

PiP Poets In New York pt 1

Having seen so many films set in New York, when I actually got there the entire city looked silver.

I'm on the subway clattering uptown. The buildings, traffic, streets etc all share such a strict symmetry, if the city were a set of teeth they could only belong in the mouths of clean cut American dreamers. I'm from London; my teeth have cracks, gaps and black fillings. Seeing such order makes me suspicious. I met a New Yorker later that day that filled me in, explaining how most crime was happening in alleyways so they closed them up so the city can advertise a prettier smile.

Second night and me and Josh are in Essex to perform an 8 minute set in a basement of a bar called 'Happy Ending' which I later realised was probably an innuendo. I met a lady who works as a journalist who tells me she's been out most nights of her life since she was 15, “YOU DEVIL!” I scream, “Well, I need to suck the blood out the city if I'm to write about it” she then disappeared into the red lights oozing out the ceiling to find the warm necks of her subjects. I took out my camera and got busy sucking my own blood.

Joshua and me performed by the DJ booth and the crowd gathered in their comfortable corners. I got to say though; following Joshua's epic 'My Love' piece is like a punishment for not being a better writer or performer. The crowd was attentive and mildly responsive. I believe my work will improve when I stop trying to make people like it.


After the show I discovered the upstairs room was a “pleasure party”, a gathering of people who pride themselves on their sexual awareness, meaning they are aware they like sex and they want more of it! There was a long, thick banana on the table and lots of fat women with cupcake flab and breasts that looked like over inflated lungs, which amused me. After an hour the crowd had filtered, those that still stood around were the uglies left out the orgy. I'd seen enough and followed Josh and his new friends to a venue across the road called 'Weird' (deliberate typo) it was a smoky dystopian lounge full of 20 some-things that looked like runaways. Scruffy clothes, tattoo's, piercings and faces that looked like they were washed with collage diplomas. I'd tired myself out taking photos and faking my enthusiasm for the American punk and rockabilly music – I'm snobby like that, if something doesn't feel authentic I will not move. The DJs stopped and a band came on stage. Imagine a dark and minimal Little Dragon that uses lots of heavy bass lines and echo re-verbs in their vocals, now imagine it doesn't sound very good. Josh and me headed back to Queens at 2am, exhausted, grateful and envious that the New York Subway runs 24/7. We slept like babies with hot milk.

The next morning I wake up and Josh turns on the TV, a commercial for diet pills lights up the screen. “IT’S GREAT TO BE THIN!” shouts a smiling fake tanned white teeth white woman, “she did not just say that!” says Josh, unimpressed, “MY LIFE IS GREAT!” she says, running along a beech in a bikini barley covering her nipples, Josh changes the channel and I think about America’s suicide rate.

We went into town that morning to look for a café with wireless Internet; we go into three Star Buck coffee shops before we accept they don’t have it. It was on the street walking towards what I thought was the Empire State building that we both realize New York is just like London, just built a lot higher and wider, Josh called it “London’s bigger brother”, I agreed.

The New Yorkers themselves were also on a similar but larger scale compared to Londoners. I walked into many NY pizza joints that could have been run by the same grease as a typical Kebab shop in Brixton or East Ham.

The R&B and Hip-Hop club we went into had guys like they do in the London mainstream clubs, wearing sunglasses, standing in the corner either playing with their phones or just staring at the wall, slightly nodding their heads to give themselves just enough reason to be there. The girls were mainly dolled up, quite a few of the really pretty girls were underdressed and overdressed at the same time, dancing with some of the meanest muscle bound mugs I’d seen in my life. It could have been London’s Bar Rumba in a bigger venue.

The poets too, some of them were like the American equivalents to some of the London poets I know, not just in their style of writing and delivery but their humor, stage presence and mannerisms. This got me thinking about how the environment influences its artists, it was fascinating to discover these doppelgangers and how it’s likely they exist because of London being such a similar setting.

Some parts of Brooklyn looked like Hackney, Manhattan was like Westbourne Park, Queens was a bit like Brixton, Times Square looked like West End, there is probably a London equivalent for every part of NY.

The streets are definitely cleaner and Josh spent days trying to figure out why his breath disappeared when he glared down the busy roads between the skyscrapers. He was so happy when he figured it out, “I GOT IT!” he said resuming a three-day-old conversation, “the streets don’t end” and he was right, you can see right down the throat of almost every high street, unlike London which has more turns and dead ends than teenage relationships.

Another thing I found interesting was the fact that almost every carriage I got into on the Subway had a homeless guy asleep in the corner, if I had taken a picture of every case I saw I could have made a pretty cool collage of homelessness.

2009. You’ve been a pretty set of numbers... but 2010 is to be ‘The Year Of The Poet!’

I’m now a member of the PiP collective (consisting of Inua Ellams, Joshua Idehen, Musa Okwonga, Alex Gwyther,Kim Leng Hills, Catherine Martindale and Belinda Born-Free Zhawi)


Visit POEJAZZI


We are to collaborate as writers and performers to bring forth some of the best Spoken Word material London has to offer.

This also ties me into ‘PoeJazzi’, one of the biggest Spoken Word entertainment nights around.

EXCITEMENT!

I also have my first music gig as ‘Speed Camera Shy’ on the 28th January 2010 in Warrick University.

MEGA EXCITMENT!

Try Poe Try is still in the works, Dr Stewart had medical callings so first show TBC.

Sorry for the absence.

For now, over and out! x

Try Poe Try update

In February 2009, I called up a friend, only to find out he'd been hospitalized. I had met him the previous year at The Rise Festival.

I was by a small stage watching an unknown Speech Debelle and grooving with sunshine vibes, I must have been letting something off because I’d managed to draw in the amazing energy of Dr.Stew.

Once I told him I was a performance poet he laughed at what seemed to be a private joke.

We spoke about poetry, Jimmy Cliff and he told me an amusing story about a girl in a Barack Obama T Shirt.

I invited him to a Spoken Word Slam I was competing in at The Marie Lloyd Bar but he disappeared before the show finished. We spoke on the phone a few times after that and suddenly that connection was cut when his number stopped going through.

I kept consistent working up my profile as a writer and performer and many things Stew shared stayed with me throughout his absence.

I had just lost my job after an argument with my manager about shifts; I’d refused to compromise my rota with my performances. I got home and felt the only person that would understand my sacrifice would be Stew. Half expecting the call not to go through it did. A drowsy voice answered “hello?” “STEW ITS RAY MAN!”

Stew was in hospital after a serious operation, I went to visit him and we caught up. It was there in that hospital room we created what has become ‘Try Poe Try’ a night of Spoken Word entertainment (and other mad shit) and it is NOW coming to life.

Daily Shotter!

I decided to take my camera out today and take at least one photo between each journey I made.

Here are the results -

Try Poe Try gets the green light and next Thursday is more than another night

Last night, something that has the potential to define my career in Spoken Word was given the go ahead.

Something called ‘Try Poe Try’ has lingered in the imaginations of myself and the legendary Dr.Stew since February 2009.

The journey that led up to yesterdays moment has been extraordinary and one day I will share that epic with you all.

But right now we have our venue and the first show of Try Poe Try will begin this November.

In the more immediate future, Thursday I’m hosting a night of Spoken Word, African Drumming, Jazz and improv performance... Same venue and night minus Wale Ojo... yay! ... I mean.. nay! ;-)

Host With The Most Optimism

Life for me right now has a strange atmosphere... You know, I personified that question but I’m not sure if it is just me. There’s loads of politically charged tension about as well as other funky energies burning in the people around me.
I’ve felt a lot of anger and strange tension at the average person I pass in the street recently.

Last week I saw a dead body in the road, a man was shot four times in a “blood thirsty vengeance” from a shooting the week before... All this blood has painted my doorstep.

ANYWAY... Sorry...

I logged on to write about my hosting experience last night with Wale Ojo and I’ve taken it somewhere else... sorry about that, it wasn’t as bad as Nick Griffin on Question Time or "nigger-bots" in Transformers 2 ... but it was rather shambolic... although the feedback was positive, people did enjoy it and I guess, that’s most important.

The problem with mixing a spoken word night with a music night is you tend to attract two different audiences. The people who show up for the music wants to drink and dance... the people who show up for the poetry wants to sit and listen.


We did however compromise at the beginning of the night by having Catherine Brogan do her set backed by a musician on African Drums. Which went well... but as the night wore on complications grew and the audience seemed to become either frustrated or confused.

I try to sway from making generalizations but apprantley musicans don't respect poets.



When Wale came on with his band the first thing he said to the audience was “OK, Now we’re going to show you how to do it!”

OK, I guess poetry is not the way “to do it”

Ironically almost everyone left.

YAY POETRY! :-)


Thank you Zainab, Bridget, Andreas and Dr.Stew for repping.x

Still love you Wale! ;-)

The Art Of Hosting.

Tonight will be my second ever shot at hosting a Spoken Word show. I've come to realize that hosting is an art within itself, within that is the art to stand in front of people and be... well, yourself.

********Content of Ray being himself has been removed***********

This gig I'm doing tonight is rather hastily put together as I've only had 2 days to prepare it without ANY budget.

I think the first thing I'll say when I open the show will be "honestily, I have no idea what to expect tonight... It might be like a really bad, low budget B movie that's so shit its good"

:-)

This is the audience I stood (and unprofessionally sat) before last time I hosted. It was a show put together for Freshers students at Westminister University, it was a total success.





Will let you know how the show tonight goes.x

ACTIVATE!

AT LAST! As of today I have committed myself to active blogging.

Short stories, photography, spoken word material, digital downloads and releases, gigs and journeys will be documented here.

So hello and welcome to the shapes and disfigurements of Raymond Antrobus.