Spoken Word Education in Hackney Today

Musa Okwonga, Joelle Taylor & Raymond Antrobus at one of London's first Spoken Word Schools

Since September 2013, the UK’s first full-time poetry Spoken Word Educators have been embedded in six London secondary schools.

On Wednesday 9th April students from Cardinal Pole Secondary will perform their work. Coached by Hackney poet, Tedx speaker and one of The Guardian's poets in residence, Raymond Antrobus. 

The Spoken Word Education Programme offers a highly effective approach to raising children’s confidence, self-expression, team-building and leadership skills, whilst also developing oral communication and literacy skills.

The Spoken Word Educators comprise award winning poets Peter Bearder, Dean Atta, Indigo Williams, Raymond Antrobus, Cat Brogan and Keith Jarrett. They work with young people who may not otherwise get access to arts opportunities, with a range of complex issues that affect their lives and engagement in learning. Spoken Word Poetry is a cathartic outlet for them, allowing them to be more focused and productive learners.
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The key to this innovative model’s success is embedding poets in the culture of each school and enabling them to build relationships with the students, both in school and during their after school spoken word clubs.

The programme has already benefitted more than 2000 students in some of the most deprived areas of London. The participating young people have wowed audiences across London including performances at Portcullis House for Parliament Week and the launch of Words Over Waltham Forest. Joshua Izundu, a year 11 student at Cardinal Pole Catholic School in Hackney said, “I have a new appreciation for spoken word. I have learnt how to turn a picture into words.”

http://spokenwordeducators.org/

Showcase Details


Address:

Cardinal Pole Catholic School

205 Morning Lane

London, E9 6LG

Time

5pm - 7pm

Nearest Station 

Hackney Central or Homerton Overground

Musa Okwonga, one of the UK's most popular bloggers 

Musa Okwonga is a writer, broadcaster, poet, musician, communications adviser and commentator on current affairs, including culture, politics, sport, race and sexuality.

A former City solicitor, Musa contributes regular opinion pieces to The Independent, Huffington Post and The Newstatesman on a range of issues, and has on several occasions been a guest on BBC Radio 4′s TodayProgramme. He has been interviewed by Channel 4 News and Sky News, and he has given talks on social media and literature for BBC Radio 3 and 4, the latter at the Royal Society of Arts in London. He has also written for The Guardian, The New Humanist and the Financial Times.

He is the author of two books on football, A Cultured Left Foot (Duckworths, 2007) andWill You Manage? (Serpent’s Tail, 2010), the first of which was nominated for the 2008 William Hill Sports Book of the Year. He has also written about football for The Blizzard, The New York Times and ESPN, and is a regular pundit for the BBC World Service.

Joelle Taylor

Joelle Taylor is a spoken word artist, playwright, performance novelist and cultural terrorist. She has performed across the UK as well as internationally for the British Council in Zimbabwe and Botswana, taking in a diverse range of venues from Dingwalls, the 100 Club, the O2 Arena, the Royal Festival Hall and Ronnie Scott’s to the Royal Court, the ICA, Buckingham Place and Pentonville Prison. Her book Ska Tissue was released in 2011 and, after a summer festival tour, is now in its second edition. In 2001 she co-ordinated the first London youth slam championships for the Poetry Society and is currently the Artistic Director of SLAMbassadors UK, the national youth slam championships. Joelle is also the coach of the UK team and delivers Master Classes and ongoing mentoring for young poets and spoken word artists (aged 12 – 19). She has a wide experience of working in both primary and secondary schools – and is the Poet in Residence at both Kingsmead Primary in Hackney and Newstead Wood School for Girls in Kent – as well as tutoring adult poetry courses (Arvon Foundation, Cardboard Citizens).

BOOK TICKET HERE - http://www.eventbrite.co.uk/e/cardinal-pole-showcase-tickets-11161154313 (free to book, £3 on door)

Testimony To The London Spoken Word Movement 2011

In 2011 I’m determined to help get the London Spoken Word scene whipped into better shape.

Less self-indulgent, un-interesting, unexplored writings and performances, less spoken word nights filled only with the friends of performers and failed bitter poets... less having to sit through a bunch of painful nonsense before getting to anything decent!

We need to connect the movement and establish a hierarchy of ability in performers to give progressing poets more to aspire to.

The US poets may aspire to be in Def Poetry Jam or a slot as a featured poet in the top Spoken Word nights or featured in a popular podcast or tour... these are the ingredients for progress.

If I didn’t know what Spoken Word was and I walked into some these nights I’d never have known its potential or value... some of the bollocks that’s displayed is putting off people that would actually make brilliant spoken word artists themselves and forcing the already well practiced spoken word artist to disassociate themselves with the overall movement... This is discrediting the art form.

Thank goodness the first nights I went to were filled with inspiring magic... but those nights were either in other countries, closed down or they're still going but they lost the spark)

Everyone seems too precious about their own space in a pond... forget the pond.. and even the garden... we live in a city.

I know it sounds a bit ranty and arrogant but the fact I see a lot of good spoken word artists who are good but would absolutely flourish with a strengthened, quality and well connected scene (myself included) is slightly disheartening. I’ve sat down with some mega talented poets and people to discuss how to keep this movement as progressive as possible and things are taking starter kicks.

I aim to bring the best Spoken Word artists together to contribute to the three nights I help run now. (Chill Pill, Try Poetry and Keats House Forum)

I aim in 2011 for all three of these events to serve testimony to the great talented poets, writers and performers we have in UK.

I’ve set up an i-tune podcast with Kaamil Ahmed for the best of the UK’s Spoken Word artists to let off some poems and do some interviews.

so far its rough and we're still smoothing it out and working out a format but there are 2 episodes with Musa Okwonga and Ruby Kid and one in the pipe-line with Indigo Williams) - http://itunes.apple.com/gb/podcast/off-the-tangent-the-corners/id411465595

We need to get this movement connected.

Frustrated but enthusiastic spoken word artist.

Ray.

Join the Chill Pill group if you haven't yet - http://www.facebook.com/group.php?gid=123086791063876

“I'm excited at the prospect of developing a platform that is driven by *quality* (which accommodates a variety of tastes and styles) rather than *access*, which is already well provided for in the performance poetry scene.

Such a platform would not undermine or compete with the current model, rather it would complement it by establishing a standard to which poets can aspire, and acting as motor to raise our expectations of what top-end performance poetry can look like.” – Sian Robins-Grace

Raymond Antrobus & Musa Okwonga interviewed on Colourful Radio with Dom Servini

Musa, Dom and me talk about how we link Football, Football managing, Personal Training and Hip-Hop to our poetry. Includes a few performances and talk about Chill Pill's relaunch.

Click number 23 on the Listen Again Player.

http://www.colourfulradio.com/presenter/domservini/

Q&A with Birmingham/ London based Spoken Word superstar 'Polarbear'

Mike Skinner is not a shit rapper; he’s a good poet. Someone needs to tell him that… However, no one needs to tell Polarbear he’s not shit.

Steven Camden aka Polarbear doesn’t like to be hyped up but many would stand by me when I say he’s one of the best writer/performer/Spoken Word artists in the UK by any standard.

If you like your wordsmiths to be humble, home grown and clean cut storytellers in flat caps I may have found you a street corner hero.

Polarbear, your last one-man show was called ‘Return’ and on the flyer it says ‘A Spoken Film’. What is ‘Spoken Film’? Are you pioneering a new genre of theatre?

I dunno. I doubt it. Not on purpose anyways. A spoken film is me speaking a screenplay; shot description, dialogue and so on. I had a story I wanted to tell and an idea of how I could do it. I sat down and with Yael crafted a screenplay for my mouth. The idea is really an extension of what I’ve been trying to do with shorter pieces for a while now. I really wanted to test how filmic I could make a story feel as an experience both to tell and to listen to. I’m touring it until Feb 2011 on and off. It’s been a brilliant process and I’ve grown as a writer and performer through it. I worked really closely with a couple of people and I’m happy with what we made. It’s feels nice to take a starting point and get a piece to be exactly what you wanted. ‘RETURN’ is that.

I want you to know, there are a lot of little Polarbear imitators out there… I saw a performer completely rip you off a few weeks ago and it hurt to watch.. what should I do when I witness such horrific crimes against creativity?

Everything is borrowed lad. I wouldn’t worry. I think when you’re just starting out at something it’s inevitable that what you’re into will be present for people to see. That’s just a development thing I think. People sometimes need a base to grow their style on. A biter is always gonna shoot themselves in the foot at some point, either directly or indirectly. I remember teachers at school saying that imitation was the best form of flattery. I guess I should be flattered. Once, then it’s just lazy.

You’re a Dad. How has fatherhood impacted you as a writer? I imagine you’ve had to have your discipline on lock?

Fatherhood just made me have less time and as a consequence of that a desire not to waste any. I can now get done in three hours what it used to take a whole day to do. In terms of discipline and my work I think it’s added some maturity maybe. I’m now a man capable of acting like a boy as oppose to the other way around. I still wake up at 4am needing to write ideas down and sometimes that can mess you up when you have dad responsibilities, but it’s like anything else, I only do what I’m excited by so if I’m excited by an idea I make time to realize it.

Seems you’ve had a pretty good career as a Spoken Word artist so far but how do you measure success if not by your capital?

I don’t really think beyond the next idea. It’s funny cos every now and then I’m around a conversation about spoken word and important artists in that world or whatever and it always strikes me that the people using the word success the most are the ones I find least interesting.

The fact is I make a living from ideas and that’s something that will never not be nuts. I’m lucky. I’ve paid dues and I deliver so I get opportunities. There are words that I’ve written that might live longer than me. Crazy. I work on a lot of writing/performance projects and have made a lot of friends. Thanks to my email inbox I know there are a couple of writers who have an interest or passion to write stuff in part due to me and that there are a few more people who believe that stories can be written by anyone who’s good at it regardless of back ground. That’s pretty cool. How do I measure success? To be honest lad I don’t know. Where I come from work is work and play is play. I get to blend the two and that’s as successful as I need to be.

I once read an interview you did a while back where you spoke about your frustration with the lack of quality in the UK ‘Spoken Word scene’ and you went on to disassociate yourself with the term “poet”… Has Spoken Word poetry moved along or are you sticking to your claws?

Again I’ve gotta be annoying and say I don’t really know. I rarely go to spoken word events I’m not involved with because of time and I still have no desire to be known as a poet. It’s pretty simple to me. The form of spoken word at it’s best to me is immediate, engaging and hopefully has a lasting resonance. I just wasn’t seeing a whole lot of stuff that met all of those points. There are lots of strong artists doing it and a whole heap of absolutely crap ones (in my opinion) but none of that really enters my head when I’m writing.

I don’t consider myself to be a poet. I feel comfortable speaking work on stage to an audience so I’m cool with the spoken word label, but if I wake up tomorrow and decide to write a cookbook, then that’s what I’ll do.
Has spoken word moved along? Of course it has and so have audiences. There’ll always be good and there’ll always be awful, it’s just with spoken word there’s nothing to hide behind. It’s important that individuals keep pushing themselves and their ideas. That sounded a little more political than I intended.

You are part of the OneTaste collective. Each poet in there really holds their own. Kate Tempest, David J and yourself couldn’t make a better example of how three completely different styles of writing and performance can be equally as powerful as each other. Are you three on any kind of mission as the poets in a collective dominated by musicians?

No. OneTaste is a bunch of artists who just do stuff together. Sometimes people collaborate, other times we just perform on the same night. We’re friends who make stuff. Some of us talk, some of us sing and play. I don’t see the rest of them half as much as I used to so I don’t want to speak for them, but for me it’s just a mark of quality. Justice League, although to be honest I always found Justice League to be a little bit wet, but I mean when you’re around quality you want to bring more quality and that just makes it good for anyone watching.

Musa Okwonga once said to me that the term “Spoken Word Artist” sounds apologetic. So many of us essentially do the same thing (write and perform) but market ourselves with different names e.g. poet, writer, performer, live literature artist… why can’t we all come together and figure this out… aren’t we confusing our audience or are we trying to avoid the stigma of the terms “poet” or “poetry”?

Man you think properly about this shit eh?

I don’t have these thoughts lad. I’m a writer. I can say that with confidence now. Sometimes I speak my work to an audience, but I don’t need to. I don’t have dreams about being on stage in front of screaming crowds. Used to be that I spoke stuff cos it was the quickest way to share stuff. Now I enjoy the craft. Musa’s funny. He can be the most apologetic person ever then switch and be proper hardcore. I get called all kinds of stuff from beat poet to everyday word wizard and it’s never once changed what I do. I’ll just keep doing that and let other people worry about the definitions.

Finally Polarbear, you’re an absolute legend and an inspiration to so many poets and writers out there… you’re going down in history and your imitators will die nameless. Yay!

I come from Birmingham.

Here's Polarbear at Chill Pill a few weeks ago with his poem 'The Scene' -
"there's a reason they call it 'the scene', it's because it's not real"

Year Of The Poet!

While I was in Berlin a lovely little shop printed my first collection of poems... They'll always be in my bag at gigs (until I sell out, sold 50 already) so come to a show and get one!










as well as the pamphlet I have a little Spoken Word EP I recorded in January 2010 and decided to give it away for FREE DOWNLOAD.








Also been working on the Speed Camera Shy project with Jim Whelan. We've had Musa Okwonga, Zayna Daze and David J in the studio with us recently. Our website is being made and will be up soon...






Back in April I did a Spoken Word set at 'Jazz Verse Jukebox' which happens monthly at Ronnie Scotts.

The night is hosted by the amazing Jumoke Fashola and the night has a jazz and poetry theme surging through it (believe that its quality without the poncey show boaty business that often arrives at Jazz and Poetry events). Two poets feature per month and so it happens that I was on the bill with the beat poet legend Michael Horovitz.

It was an incredible night with a powerful open and feel good vibe about it... easily one of the most enjoyable and memorable gigs I've ever done.

A week later I emailed Michael Horovitz asking if he had any advise for a young poet. He emailed me back something he posted on his website about me. I was honoured.

“My heart sank slightly when Jumoké Fashola told me that she wanted me to perform at one of her Jazz Verse Jukebox sessions at Ronnie Scott’s in April & that there would be at least a couple of other spoken word artists as well as an unpredictable number of open mic floor spots – since it takes a lot out of me these days to trek to any gig & when they are crowded with any number of fellow troubadours, by the time I go on stage there’s often not that much time left, not to go into the heartaches generally consequent on payment by door-splits . . .

“It was a fabulous quantum leap of sorts when performer after performer connected with a vocally sensitive and euphoric bunch of jazz poetry celebrants just about none of whom were even slightly obnoxious, overlong or deafening as has been my usual experience at Slams and the like. And one of the most enthralling exhilarations of this series of highspots was Ray Antrobus’s set – he strikes as a vastly promising exception to what seems to be the rule of youngsters assuming that being a gobshite in command of a few streetwise attitudes & expressions is all that’s needed to become a rap or poetry superstar overnight. Ray’s act suggested that if he perseveres with high energy & deeply felt examinations of himself and others as ventilated that evening he will join the constellations relished by wordsound travellers who will drop just about anything because there is a performance by the likes of Johns Hegley & Cooper Clarke, Francesca Beard & Zephaniah, Patience Agbabi & Sophie Woolley.”

Michael Horovitz.

www.poetryolympics.com

yay!